Huayi Brothers announced its slate on 22, April, 2012 for 2012 and 2013 under the umbrella of H Projects. My project "Control" was also included in the announcement along with other directors like Tsui Hark, Stephen Fung, Feng Xiaogang, Pang Ho Cheung, Wu Ershan, Doze Niu and Korean director Kim Yong-hwa.
From left to right: Chen GuoFu, James Wang, KimYong-hwa, Kenneth Bi, Doze Niu, Wu Ershan, Peng HaoXiang, Stephen Fung, Tsui Hark, Feng Xiaogang and Wang ZhongJun
The Medienboard Berlin-Brandenburg and its counterpart in Hong Kong, the Hong Kong Film Development Council invited ten Hong Kong directors during the Berlinale for an exchange.
The Hong Kong contingent and Medienboard Berlin Brandenburg's Teresa Hoefert de Turégano and Christiane Raab
The Medienboard Berlin-Brandenburg had actually invested in my film The Drummer through my producer, Twenty Twenty, in Germany. They are an important film funding entity for films throughout the world.
They had arranged a tour for us at the Studio Babelsberg where such classics as Metropolis, the Marlene Dietrich films, and modern classics like Polanski’s The Pianist, Ghost Writer, and Tarantino’s Inglorious Basterds were made.
Marlene Dietrich and Brad Pitt
Alfred Hitchcock made films in Studio Babelsberg and learnt about German Expressionist cinema there
Derek Tsang, Saville and Adam Wong in the prop shop
Adam Wong, Saville, Derek Tsang and Clement Chang looking at a piece of the Berlin wall
This backlot was built in the 80’s. They change the façade to accommodate the film. Polanski shot The Pianist and Kevin Spacey shot Beyond the Sea here.
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Quentin Tarantino shot Shosanna’s, played by Mélanie Laurent, cinema exterior of Inglorious Basterds at the end of the street on the left
And a street in the huge studio is dedicated to him…
We also visited the Holocaust museum
Mélanie Laurent’s new film was selling at the European film Market.
The Girls of GIRL$ handed out gifts and "gratitude" tickets at Langham Place cinemas at 9pm tonight (9 September, 10) as the film is gathering momentum...
Despite being shown on only 11 screens across Hong Kong, the local audience is claiming GIRL$ as their "Hong Kong" film. It was my intention to make a film about Hong Kong for Hong Kong people. I always believed it would work because there aren't any fake romance or fake love in this film like in most co-production hybrid films we see today. The audience has been starved of anything genuine from their real lives for a long time.
I hope they keep coming out to enjoy GIRL$ as it heads towards the second week which is beating films that have more than double the number of cinemas GIRL$ has.
"A DARING and BOLD HONG KONG FILM" Hong Kong Film Magazine
"A look at Hong Kong's modern social issues" Ming Pao Daily
"Solid performances from the four actresses" Sing Tao Daily
"New generation of neo-realism, especially in the depiction of sexual encounters on the internet." Local preeminent film critic Shek Kei from Ming Pao daily
"Documentary style - realistic" Apple Daily
"It's been a long time a Hong Kong film has stayed so true to Hong Kong." New Monday
In anticipation of the release of my new film, GIRL$, on September 2, the distributor had a Gala premiere on 27th Aug in the heart of Hong Kong — Mongkok Broadway cinema. It was packed with people. Two of the leads in the film, Bonnie Xian and Michelle Wai handed out condoms to the public as a gimmick.
Bonnite Xian and Michelle Oriental daily photo
Condoms sponsored by Sagami xtreme
Funny photo: Me, Karson Lok, Bonnie Xian, Michelle and Deep Ng Photo by Sing Pao Daily
Afterwards, Bonnie, Michelle and the producer, Ng Kin Hung went to get some desert with J.J. Jia (star of Gallants)
My first fictional short I FELT LIFE WITH BOTH MY HANDS has gone live on Interpretationsfilm.com (See previous blog on details). Other filmmakers of these shorts with the same script include David Chan (visual effects artist, Fast & Furious), Evan Jackson Leong (Short form, music video and documentary director), Spencer Nakasako (Emmy Award winning director, Refugee), Danny Pudi (star of NBC’s Community) with his filmmaking team of Timothy Kendall and Chris Marrs, Wong Fu Productions (indie production company w/15 million views of their shorts online), Mora Stephens (Independent Spirits Awards’ John Cassavettes Award-winning director, Conventioneers), Iris Yamashita (Oscar nominated writer, Letters From Iwo Jima)
I just finished my first fictional short film, a 3 minute film called I FELT MY LIFE WITH BOTH MY HANDS. It’s part of a program spearheaded by filmmaker Justin Lin, whose credits range from independent film BETTER LUCK TOMORROW to major studio films like THE FAST & THE FURIOUS: TOKYO DRIFT and 2009's FAST & FURIOUS. He's working alongside Elaine Chin and Anderson Le from the Hawaii International Film Festival to encourage new filmmakers to present their unique point of views.
Their website youoffendmeyouoffendmyfamily.com commissioned a group of filmmakers to make these 2-3 minute shorts and all of us directors were given the same script to explore its endless possibilities. The short film has to feature four specific lines of dialogue in any form we choose. This initiative is called Interpretations, and these shorts will be used as inspirations for a competition later to help new filmmakers find and develop their own voice.
These films will be presented on May 2nd, 2pm at the Director's Guild of America on Sunset Boulevard in Los Angeles. Check them out if you're in L.A.
The website for Interpretations will go live on May 2, 2010. All the commissioned shorts will be on the website http://www.interpretationsfilm.com/
Seth Henderson helping out cinematographer Sam Koa
I worked with Sam Koa again on this short, the cinematographer for my last two films The Drummer and GIRL$. After having shot GIRL$ on RED One, we decided to use an even more mobile camera, Canon EOS 5D Mark II with a set of superb lenses.
My students from my scriptwriting courses filled out my crew. In two days, we ran about 12 locations. I couldn’t have done it without their help.
Students — Jianhong Huang, Tiger Song, Yuanchang Li, Cinematographer Sam Koa, Diogo Cordes Aniceto Martins, Kenneth Bi and Seth Henderson
Same group plus art director Jung Li in the white shirt and Candy Wong, production manager/assistant director